Growing up in Melbourne means visiting the Myer windows for Christmas.
A long standing tradition
As I mentioned last week, this is the 60th year that Myer has been providing this festive delight to Melbournians.
Like many Melbournians, I remember heading into the city (and going by train just added to the excitement!) to view the windows as a child and again with my friends as a teenager. Now, I get to take my children in and share the experience with them.
All but a few years had moving parts to the displays, and all years have a theme linking the six windows.
To celebrate the fact that the Myer windows are 60 years old, one of this year’s windows was very special. It showed the back of a typical scene so we can see the mechanism allowing for movement.
On either side of that scene was a bookshelf containing items/characters from old window themes. That is one window I wish I had been able to spend more time at, but it went quickly and was of less interest to my kids.
2015 – the little dog story
So this year, the theme behind the Myer Christmas windows is the book Little dog and the Christmas wish by Corinne Fenton.
Each window has a little dog at the front of the window looking into the scene of the story. The story can be heard and read as you move along the series.
As the little dog move around the suburbs and city of Melbourne, the various scenes show Melbourne from the 50s.
Changes over time
When we visited the windows last week I noticed a few changes from when I was younger.
- there are structured queues so everyone gets a turn and starts at one end of the windows – and the doorways into Myer are kept free for shoppers! I remember crowds of people in front of each window, and you just saw them as you could.
- the displays are behind a curtain. The curtain goes up, the story and movement starts, then the curtain goes down again to signal it’s time to move onto the next scene. There’s nothing to really stop you watching a particular scene more than once, but it is a good way to keep things moving smoothly. The curtains themselves show a design specifically done by Robin Cowcher, the book’s illustrator.